?????????????? ????????????????? ?? ????????? ????? ????????????????? ?????????? (1988)
Аннотация
???????????????????????????????? ????? ???????? ????????????????? ??????? ???????????? ????????????: ????????????????, ????????????????????? ????????????? ?? ?????????? ???????????????, ?? ???????????????, ?????????????????? ?? ??????????????????? ?? ????? ???????????? (???????? ?? ???????? ????????). ??????????? ?????????? ??????? ????????????????? ?? ?????????????????? ????????????? ????????????????? ? ??????????????????, ?? ???????????? ????????? ??????????????????? ??? ???? ???????????, ????? ????????????, ? ?? ??????????????????, ????? ??????????????.
? ???????? ???????????????????????? ??????????????????? ????????? ??????? ?????????????: ????????????????? ?????????????? ???????????? II ?? ????????????? ?????? ?? ?????????????????? ????????????????????? ????????????? ????????????????? ????? ???????????????-???????????????. ????????????????? ????????? ??????????? ???????????????????????? ??????????? ????? ??????????????????? ???????????????????? ??????????, ? naturalia (?????????????? ??????????), artificialia (???????????????????? ????????????????), exotica (??????????????????? ???????????) ?? scientifica (?????????? ?????????????????) ?????????????????????? ??? ?????????????, ?????????? ?????????? ????????? ????????????????????. ????????????????????? ????? ????? ??????????????, ????????????????-?????????????? ???????? ???????????????????? ????? ????????????????????? ?????????????. ??????????????? ?????????????? ??????????? ??????? ??????????? ????? ?? ??????????? ?????????, ???????????????????? ?? ????????????????????? XVII ??. ?? ?????????????? ?? ??????????????????? ???????????????????????, ???? ?? ?? ?????????????????????????? ?????????????????????. ??????????????????? ????????? ???????????????????? ????? ???????? ??????????????, ????????? ??? ?????????? ????????????????? ????????? ??????????? ?????????????????, ???????????????????????? ???????? ???????????????? ?????????????????. ??????????? ?? ????????? ??? ?????????? ???????????, ?????? ?????????? ??????????????????? ???????????????????? ?? ?????????? ??????????, ???? ?????????? ???????? ???????????????????????????? ??????????????. ??? ?????????????????? ???????????????????? ????????????? ?????????? ?? ??????????????????????????: ?? ?????? ????????????????? ???????????????? ????????????????? ?? ??????????????? ?????????????? ????????????????? ???????????????? ????? ??????????????? ??????????? ?????????????????????????? ?? ?????????????????????? ?????. ?????????? ? ??? ????????????? ??????????, ? ??????????? ????????????????????????? ?????????? ?????????????????? ?? ????????????????, ??????????? ????? ???????????? ????????????????? ????????????? ????????? ?????????? ???????????? ??????????, ?????????????????? ?? ???????????????????????????? ???? ??????????? ?????????? ???????. ?????????? ?????????????? ?????????????? ?????? ????????????? ????? ???????????, ??????????????? ????????????? ???????? ?? ??????????? ?? ????????????????? ?? ???????????????????????????? ?????????????? ?? ???????????????.
??????????? ????????: ???? ????????????????, ??????????, ?????????????????, ??????????????, ?????????????, ??????????????
???? ??????????????????: ????????????, ??.??. ?????????????? ????????????????? ?? ????????? ????? ????????????????? ?????????? (1988) // ????????????? ?? ??????????????????: ???????? ??????????????????????, ???????????????????? ?? ??????????????? ?????????????????????. 2025. ??. 10. ? 4. ??. 43?63. DOI: 10.18522/2415-8852-2025-4-43-63
Полный текст:
PDFЛитература
???????????, ??.??. ????????? ???????????? ?????????????, ?????????????? ??????????? ?? ????????????????? ?? ??????????????????? ????? ????????????????? // ARTICULT. 2014. ??. 13. ? 3. C. 45?53.
????????????, ??.??. ?? ?????????????????????? ????????????? ??????? ????????, ????? ??????????????? ????? ???????? ????????????????? ????????????????: ???? ???????????????? ?? ????? ????????? // ????????????? ?? ??????????????????: ???????? ??????????????????????, ???????????????????? ?? ??????????????? ?????????????????????. 2024. ??. 9. ? 2. ??. 98?117.
?????, ??. Vertigo. ????????????????? ??????????, ?????????????, ?????????????? / ????. ??.??. ??????????????????. ??.: ???????? / SLOVO, 2019.
Chryssouli, G. (2015). Surreally human: Jan ?vankmajer??s world of self-destructive puppets. Theatralia. 18 (2), 303?328.
Dryje, F., Schmitt, ?. (Eds.) (2013). Jan ?vankmajer: Dimensions of Dialogue; Between Film and Fine Art. Prague: Arbor Vitae.
Findlen, P. (1997). Cabinets, Collecting and Natural Philosophy. In E. Fucikova, J. Bradburne et als. (Eds.). Rudolf II and Prague: The court and the city. London: Thames and Hudson, 209?219.
Hames, P. (Ed.). (2008). The Cinema of Jan ?vankmajer: Dark Alchemy. Second ed. London: Wallflower Press.
L??pez Caballero, C. (2014). Jan ?vankmajer: A Magical Outlook on Life and the World. In C. L??pez Caballero, A. Hispano (Eds.). Metamorfosis: Visiones fant??sticas de Starevich, ?vankmajer y los hermanos Quay. Barcelona: Centre de Cultura Contempor?nia de Barcelona, 187?188.
Blickle, U., Matt, G.A. (Eds.) (2011). The Cabinet of Jan ?vankmajer: The Pendulum, the Pit, and Other Peculiarities, N??rnberg: Verlag f??rmoderne Kunst.
Noheden, K. (2013). The imagination of touch: surrealist tactility in the films of Jan Svankmajer. Journal of Aesthetics & Culture. 5, 1?13.
Noheden, ??. (2017). Animating Imaginary Animals: Jan ?vankmajer, Surrealism, and Dark Ecology. Retrieved from: https://www.academia.edu/35458228/Animating_Imaginary_Animals_Jan_%C5%A0vankmajer_Surrealism_and_Dark_Ecology_2017_ [22.07.2022] (date of access: 1.11.2025).
O?Pray, M. (2008). Jan Svankmajer: A Mannerist Surrealist. In P. Hames (Ed.). The Cinema of Jan ?vankmajer: Dark Alchemy. Second ed. London: Wallflower Press, 48?77.
Roemer van de, B. (2014). Redressing the Balance Levinus Vincent? Wonder Theatre of Nature. Retrieved from: https://publicdomainreview.org/essay/redressing-the-balance-levinus-vincents-wonder-theatre-of-nature/ (date of access: 1.11.2025).
Schlosser, J. von (2021). Art and curiosity cabinets of the late Renaissance. Los Angeles: The Getty Research Institute.
?vankmajer, J. (2001). ??Out of My Head??. The Guardian. Retrieved from: http://www.guardian.co.uk/film/2001/oct/19/artsfeatures (date of access: 1.11.2025).
Walton, S. (2016). Cinema?s Baroque Flesh. Film, Phenomenology and the Art of Entanglement. Amsterdam: Amsterdam University Press B.V.
References
Eko, U. (2019). Vertigo. Krugovorot obrazov, ponyatij, predmetov [Vertigo.The cycle of images, concepts, and objects] (Sabashnikova A. Trans.). Moscow: SLOVO / SLOVO.
Chernenko, I.A. (2024). O nevozmozhnosti usvoit urok Fausta, ili Citatnost kak faktor celostnosti kinoteksta: Yan Shvankmajer i ego ??Faust?? [On the impossibility of learning the lesson of Faust, or Quotationas a factor of the integrity of the film text: Jan ?vankmajer and his ??Faust??]. Practices & Interpretations: A Journal of Philology, Teaching and Cultural Studies, 9 (2), 98?117.
Chryssouli, G. (2015). Surreally human: Jan ?vankmajer??s world of self-destructive puppets. Theatralia. 18 (2), 303?328.
Dryje, F., Schmitt, ?. (Eds.). (2013). Jan ?vankmajer: Dimensions of Dialogue; Between Film and Fine Art. Prague: Arbor Vitae.
Findlen, P. (1997). Cabinets, Collecting and Natural Philosophy. In Fucikova, E., Bradburne, J. et als. (Eds.). Rudolf II and Prague: The court and the city. London: Thames and Hudson, 209?219.
Hames, P. (Ed.). (2008). The Cinema of Jan ?vankmajer: Dark Alchemy. Second ed. London: Wallflower Press.
Kozlova, A.A. (2014). Sintez priemov animacii, kollazhnoj texniki i installyacii v kinematografe Yana Shvankmajera [Synthesis of animation techniques, collage techniques and installations in the cinematography of Jan Schwankmeier]. ARTICULT, 13 (3), 45?53.
L??pez Caballero, C. (2014). Jan ?vankmajer: A Magical Outlook on Life and the World. In C. L??pez Caballero, A. Hispano (Eds.). Metamorfosis: Visiones fant??sticas de Starevich, ?vankmajer y los hermanos Quay. Barcelona: Centre de Cultura Contempor?nia de Barcelona, 187?188.
Blickle, U., Matt, G.A. (Eds.) (2011). The Cabinet of Jan ?vankmajer: The Pendulum, the Pit, and Other Peculiarities, N??rnberg: Verlag f??rmoderne Kunst.
Noheden, K. (2013). The imagination of touch: surrealist tactility in the films of Jan Svankmajer. Journal of Aesthetics & Culture. 5, 1?13.
Noheden, ??. (2017). Animating Imaginary Animals: Jan ?vankmajer, Surrealism, and Dark Ecology. Retrieved from: https://www.academia.edu/35458228/Animating_Imaginary_Animals_Jan_%C5%A0vankmajer_Surrealism_and_Dark_Ecology_2017_ [22.07.2022] (date of access: 1.11.2025).
O?Pray, M. (2008). Jan Svankmajer: A Mannerist Surrealist. In P. Hames (Ed.). The Cinema of Jan ?vankmajer: Dark Alchemy. Second ed. London: Wallflower Press, 48?77.
Roemer van de, B. (2014). Redressing the Balance Levinus Vincent? Wonder Theatre of Nature. Retrieved from: https://publicdomainreview.org/essay/redressing-the-balance-levinus-vincents-wonder-theatre-of-nature/ (date of access: 1.11.2025).
Schlosser, J. von (2021). Art and curiosity cabinets of the late Renaissance. Los Angeles: The Getty Research Institute.
?vankmajer, J. (2001). ??Out of My Head??. The Guardian. Retrieved from: http://www.guardian.co.uk/film/2001/oct/19/artsfeatures (date of access: 1.11.2025).
Walton, S. (2016). Cinema?s Baroque Flesh. Film, Phenomenology and the Art of Entanglement. Amsterdam: Amsterdam University Press B.V.
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