??????????? ?????????? ? ???????????????????? ?????????: ?????????????? ?????????? (+media)


Аннотация


??????????????????? ?????? ???????????????? ???? ??????????????????? ?? ????????????-????????????????????? ??? ????? ???????????, ????????????? ???????? ?? ????????????????????, ??????????????????? ?? ??????????. ? ?????? ????????????? ?????????????????? ?????????: ??????? ?? ???????? (???????? ????, ???????? 2015, ??????????) ??????????????????????????? ???????????????????? ????????? ??????????????????? ??????????????? ?????????? ?? ????????????????? ?????????????????????????? ??????????? ??????? ?? ????????. ????????????????????, ????????????? ????????? ??????????????? ??????????? ????????????? ?? ???????????????????? ????????????????????????????? ???????????-????????????? ????? ????????????, ????????? ?? ?????????????????? ?????????????? ???? ???????????? ???????????? ???????????????? ????????? ?? ???????????, ??? ???????? ?????????????? ??????????????????? ????????? ?? ????????????? ????? ?????????? ??????????????????????? ?????????????, ??????????????? ???????????? ?????????????????????? ?????????????? ??????? ???????? ?? ????????????????????? ?? ????????? ????-???????????????? ?????????? ??????????????.

??????????? ????????: ??????????????????????????? ????????????, ?????????????????? ?????????, ?????????, ????????????????? ?????????.

?

???????????????:

????????? ?.??.?????????????? ????????? ?? ?????????????????? ?????????: ????????????? ?????????? // ????????????? ?? ??????????????????: ???????? ??????????????????????, ???????????????????? ?? ??????????????? ?????????????????????. 2016. ??. 1, ? 4. ??. 94?100.

???????????? ??? ??????????????????????? ???????????:


Полный текст:

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Литература


?????????, ?.??. ??????????? ????????? // ??????? / STEPS. 2016. ? 1. ??. 54?166.

??????????????????, ??. ????????????????? ?? ??????????????????? ???????????????? ??????????????????: ??????????????? ?.-?. ????????? ????? ????????????? ?????????????????????? // ??????????????????? ????????. 2009. ? 1. ??. 127?140.

Brown, D. (2002). Going digital and staying qualitative: some alternative strategies for digitizing the qualitative research process. Forum: Qualitative Social Research, 3 (2). Available from: http://nbn-resolving.de/urn:nbn:de:0114fqs0202122 (date of access 26.12.16).

Dicks, B., Mason, B., Coffey, A., & Atkinson, P. (2005). Qualitative research and hypermedia. London: Sage Publications Limited.

Elkins, J. (Ed.). (2007). Visual practices across the university. Munich: Wilhelm Fink Verlag.

Langellier, K. (2001). Personal narrative. In M. Jolly (Ed.), Encyclopedia of life writing: autobiographical and biographical forms. London: Fitzroy Dearborn, Vol. 2, 699?701.

Latour, B. (2002). What is Iconoclash? Or is there a world beyond image wars? In B. Latour & P. Weibel (Eds.), Iconoclash. Cambridge, MA: MIT Press, 14?37.

Manovich, L. (2013). Museum without walls, art history without names: visualization methods for Humanities and Media Studies. Available from: http://manovich.net/index.php/projects/ museum-without-walls-art-history-withoutnames-visualization-methods-for-humanitiesand-media-studies (date of access 26.12.16).

O?Neill, P. (2007). The curatorial turn: from practice to discourse. Bristol: Intellect.

Presner, T., Schnapp, J., & Lunenfeld, P. (2009).

The digital humanities manifesto. Available from: http://www. humanitiesblast. com/manifesto/ Manifesto_V2. pdf (date of access 26.12.16).

References:

Brown, D. (2002). Going digital and staying qualitative: some alternative strategies for digitizing the qualitative research process. Forum: Qualitative Social Research, 3 (2). Available from: http://nbn-resolving.de/urn:nbn:de:0114fqs0202122 (date of access 26.12.16).

Dicks, B., Mason, B., Coffey, A., & Atkinson, P. (2005). Qualitative research and hypermedia. London: Sage Publications Limited.

Elkins, J. (Ed.). (2007). Visual practices across the university. Munich: Wilhelm Fink Verlag.

Langellier, K. (2001). Personal narrative. In M. Jolly (Ed.), Encyclopedia of life writing: autobiographical and biographical forms. London: Fitzroy Dearborn, Vol. 2, 699?701.

Latour, B. (2002). What is Iconoclash? Or is there a world beyond image wars? In B. Latour & P. Weibel (Eds.), Iconoclash. Cambridge, MA: MIT Press, 14?37.

Manovich, L. (2013). Museum without walls, art history without names: visualization methods for Humanities and Media Studies. Available from: http://manovich.net/index.php/projects/ museum-without-walls-art-history-withoutnames-visualization-methods-for-humanitiesand-media-studies (date of access 26.12.16).

O?Neill, P. (2007). The curatorial turn: from practice to discourse. Bristol: Intellect.

Orlova, G. (2006). Sobiraya proyekt [Making up a project]. Steps, 1, 154?166.

Presner, T., Schnapp, J., & Lunenfeld, P. (2009). The digital humanities manifesto. Available from: http://www. humanitiesblast. com/manifesto/ Manifesto_V2. pdf (date of access 26.12.16).

Smolyanskaya, N. (2009). Vozvyishennoe v interpretatsiyakh iskusstva postmoderna: kontseptsiya Zh.-F.Liotara dlya vyistavki ?Nematerialnoe ? [Sublime in the interpretations of postmodern art: the conception of J.-F. Liotar for exhibition ??Les Immat?riaux??]. Filosofskiy zhurnal, 1, 127?140.


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